By Paul Gunter, Beyond Nuclear
A controversial new report from the Union of Concerned Scientists suggests that closing aging US nuclear plants — and not subsidizing the cost of building new ones — will increase carbon emissions. The assumption is that nuclear plants that close will be replaced by coal or natural gas-fired plants.
An increase in greenhouse gas emissions in the US is of course unacceptable given the accelerating climate change crisis we now face. However, the evidence so far, that closed nuclear plants will largely be replaced by natural gas and coal, is not borne out by the actual evidence.
California, which has only one nuclear power plant still operating at Diablo Canyon, will replace it, and the already shuttered San Onofre reactors, entirely with renewable energy. When Nebraska closed its flooded Ft. Calhoun nuclear plant, it was wind energy, not fossil fuels, that stepped in to fill the new generation void.
As members of Three Mile Island Alert, a watchdog group, we are resolutely opposed to the present attempts by utilities in Pennsylvania and Ohio to secure huge subsidies to keep their aging and financially failing nuclear power plants operational well beyond their “expiration dates”. Such a decision would have national implications. The diversion of billions of dollars into nuclear subsidies would distort markets and state regulatory decisions and result in lower investment in renewable resources and energy efficiency. This in turn would prolong the uneconomic existence of a resource that is not clean energy.
The Union of Concerned Scientists, in its new report, argues that the trajectories of existing renewable energy and efficiency standards are insufficient to prevent a dangerous increase in CO2 emissions, and that a price on carbon could serve to better mitigate carbon emissions as long as nuclear reactors remain operational.
This latter requirement is roundly contradicted by reports over the last several years that show that, even in Pennsylvania, a state with one of the highest greenhouse gas (GHG) emissions rates, GHG reduction goals can be met under the Environmental Protection Agency’s Clean Power Plan targets through planned power plant retirements.
Nuclear power is a well-funded, controversial industry that embodies hazards at all points along its fuel cycle. There is no room for both renewable energy development and continued, subsidized operation of nuclear power plants.
By Mary Lou Dauray
The journey of an artist’s work involves a variety of pathways. Sometimes these lead to paintings inspired by serious events that involve the entirety of our planet. That was to be my destination as an artist, but my journey began with landscapes, on the top floor of my strict Catholic school, where, on Saturday mornings, we were allowed to paint scenes from photographs.
That sojourn in the tranquility and beauty of nature was abruptly turned upside down after the 2000 election of George W. Bush.
The election night itself, with its bizarre turn of events, set me painting furiously, an anger that exploded into a flame-filled oil painting in response to the 9/11 attacks almost a year later. Then came the war in Iraq and I found myself creating a series of watercolors of soldiers, bombings, the women of Iraq and of death. After all, the Iraq war was about oil. It had become increasingly obvious to me how burning oil and coal, non-renewable resources, contribute to greenhouse gases and the warming of our planet.
By Krishna Shree and Rajesh Serupally, First Post
Gangotri was 10 when the first boil appeared on her leg — an itchy pustule that soon led to others. Two years later today, both her legs are covered in scabby blisters that continue to spread. Doctors haven’t been able to diagnose her condition or cure it.
Gangotri is a chirpy, carefree child — she unselfconsciously showed us the skin disease (pictured above the headline) that has so changed her life. However, the mood in her village — Kottala in Kadapa district, Andhra Pradesh — is one of anger. Gangotri isn’t the only one to suffer from the mysterious ailment, other cases abound, as do other conditions: unheard-of diseases, death of livestock, loss of crops. Bad news is in plenty, and residents point to one culprit: the neighbouring Tummalapalle uranium mine.
The mine started its operation in 2012 after getting the requisite environmental clearance in 2006; the uranium ore in the Kadapa Basin is the largest reserve in the country. The neighbouring villages of Tummalapalle, Mabbuchintalapalle, Bumayigaripalle and Rachakuntapalle of Velpula and Medipentla Mandals and 60 hectares in Kottala village of Vemula Mandal were acquired by Uranium Corporation of India Limited (a government enterprise) for ‘tailing disposal’ — these are the areas where waterborne refuse material is pumped into a body known as a tailing pond. This is where the radioactive mining waste has been dumped for the past six years.
By Linda Pentz Gunter
Karipbek Kuyukov, who will receive the 2018 Nuclear-Free Future Award for Education in October, likes to say: “I have no arms, but I join you in waving goodbye to nuclear weapons.”
Kuyukov was born in the small Kazakhstan village of Yegyndybulak, without arms, a result of his parents’ exposure to the Soviet atomic bomb tests. There were 456 of these in all, conducted between August 1949 and November 1989 at the Semipalatinsk test site — also known as The Polygon — just 60 miles (100 kilometers) from Kuyukov’s family home.
Today, Kuyukov is his country’s foremost campaigner against any resumption of nuclear testing and also for justice for those afflicted by atomic tests, not only in Kazakhstan, but around the world. And he is also one of his country’s most well known contemporary artists.
“I think my mission on earth is to fight to become one of the last victims in the history of nuclear testing,” Kuyukov says in Andre Singer’s compelling film — Where the Wind Blew — about the tests in Kazakhstan and also in Nevada in the US. (The film is due to be available in the US via iTunes in the fall. You can view the trailer below.)
Karipbek, now 50, wants “to ensure that this nuclear madness never happens again. So we can look with pride in the eyes of a new generation, the children who will live after us.” And he communicates that message through his painting.
By Johnny Magdaleno
Ahmed el-Hadj Hamadi was huddled into a building with the rest of his community by French soldiers early in the morning. They were instructed to lie down, close their eyes and cover their ears. He then remembers a sound like “the world coming to an end” and the windows turning white. A cord above their prone bodies swung erratically until the light bulb it held shattered.
“I thought it was the apocalypse. We all did,” he said. “We all thought we might die.” Later, the French military began tasking out labor to residents in the isolated desert region of Algeria. “They had built a kind of village at the explosion area, and even put animals in it,” Hamadi added. “After the blast we were sent out to gather all the rubbish. The ground was all burned, white, liquid.”
To nomadic communities around the town of Reggane, they’re known more than half a century later as “leopard skins” — stretches of sand across Algeria’s southern Sahara that are peppered with small black clumps. People used to collect scrap metal from the charred warplanes and trucks that emerge, fossil-like, and then smelt them into jewelry and kitchen utensils.