
By Linda Pentz Gunter
On August 25, 2019, the Washington Post published an editorial condemning Independent Vermont senator, Bernie Sanders, also a Democratic presidential candidate, for, among other things, excluding nuclear power from his version of the Green New Deal. The Post declared that:
“Mr. Sanders also promises to make his plan unnecessarily expensive by ruling out a long-established source of carbon-free electricity: nuclear power. Not only would he halt the building of new plants, but he also would deny re-licensing to the existing ones that now provide about 20 percent of the nation’s electricity.”

The Washington Post condemned Bernie Sanders’s anti-nuclear Green New Deal. We disagreed. (Photo: Michelle Prevost through photogism, licensed under CC BY 2.0)
As one anti-nuclear colleague said on reading that: “he gets my vote right there!”
Specifically, Sanders’s $16.3 trillion climate plan included this:
“Phase out the use of non-sustainable sources. This plan will stop the building of new nuclear power plants and find a real solution to our existing nuclear waste problem. It will also enact a moratorium on nuclear power plant license renewals in the United States to protect surrounding communities. We know that the toxic waste byproducts of nuclear plants are not worth the risks of the technology’s benefit, especially in light of lessons learned from the Fukushima meltdown and the Chernobyl disaster. To get to our goal of 100 percent sustainable energy, we will not rely on any false solutions like nuclear, geoengineering, carbon capture and sequestration, or trash incinerators.”
By Linda Pentz Gunter
How much is a trillion dollars? An unimaginable amount? Uncountable?
Not the latter. That’s exactly how much money will be counted out, in front of the United Nations in October. It will take seven days and seven nights to count it all. (And you can help count it).
Why one trillion? That is the staggering amount of money that the world’s nuclear armed countries plan to spend on the nuclear arms race over the next ten years. The action is an offshoot of the campaign — Move the nuclear weapons money — and is designed to let the world know just how obscene a number that is. And all the far better things that money could be spent on.

A version of the bank notes to be counted envisions better use of one trillion dollars. (Image courtesy of Counting the Nuclear Weapons Money)
By Mark Diesendorf and Richard Broinowski
A recent push for nuclear power in Australia has been promoted by the usual public advocates and amplified by the Murdoch press.
The arguments are predictable both in their optimism and inaccuracy: nuclear power reactors are claimed to be safe and cheaper than electricity generation from wind and sun; new generation mini-reactors are claimed to be even cheaper and safer and can be adapted to power a factory or a town.
Australia has uranium, and can easily acquire the technology. Advocates for nuclear power are calling for ‘informed’ public debate to quell public fear about nuclear power.
In reality, informed public debate has been going on for some time. The latest iteration was the South Australian Royal Commission of 2015-16, which found that “nuclear power would not be commercially viable to supply baseload electricity to the South Australian subregion of the NEM from 2030 (being the earliest date for its possible introduction).”
But advocates are not deterred, claiming, despite the evidence to the contrary, that nuclear power is cheaper and cleaner than other forms of electricity generation.
The fact is that electricity from new wind and solar farms is much cheaper than from nuclear power stations. According to the multinational investment consultancy, Lazard, the costs of energy from on-shore wind farms in the USA are in the range 29-56 USD per megawatt-hour (US$/MWh), from solar farms 36-46 US$/MWh and from conventional nuclear 112-189 US$/MWh.

US onshore wind farms cost 29-56 USD per megawatt-hour compared to nuclear at 112-189 USD/MWh. (Photo: adrenaline for Wikimedia Commons)
By Linda Pentz Gunter
By day his life could not have been more utilitarian. He was a “Hod Carrier,” hauling bricks and mortar on his back up ladders; mixing sand and cement; clocking in and out as a member of the Laborers’ International Union of North America (LIUNA).
But by night, Paul Martin Butkovich reignited the true flame of his inspiration. He made art. Lots of it, almost to the day he died aged 76 on January 8, 1996.
It was only then that his family uncovered dozens of drawings rendered in crayon, pastels, pencil, chalk and markers, on subjects that ran the gamut from racehorses to nuclear warfare. The existence of Butkovich’s art was not a surprise. But the volume was. Yet, he had never attempted to sell a single piece.

Butkovich was a basement artist. In 1939, he had spent one year at the Corcoran School of Art in Washington, DC, before being called home to help with the family business while his older brothers served in the military. His career as an artist never took flight, even as he harbored dreams of becoming a political cartoonist. (A friend even submitted his work for consideration for a Pulitzer Prize.) Living and working in Madison County, Illinois, not far from St. Louis, MO, he was inspired by then St. Louis Post-Dispatch editorial cartoonist, and two-time Pulitzer Prize-winner, Daniel Fitzpatrick.
By Linda Pentz Gunter
As we’ve seen in an earlier post, the Fukushima nuclear disaster has already inspired theatre among those who experienced it — along with the tsunami and earthquake — first hand. But it has also inspired those further away, in whom the confluence of these three tragedies invoked a profound curiosity.
Jessica Grindstaff of the New York theatre and puppetry group, Phantom Limb Company, decided to travel to Japan to film the aftermath and interview those who had lived through the triple disasters, with a particular focus on the nuclear catastrophe.
British playwright, Lucy Kirkwood, imagined the moral quandary of nuclear physicists in the UK, responding — or not — to a near identical nuclear disaster for which they bear some responsibility.

Falling Out. (Photo courtesy of The Phantom Limb Company)
Grindstaff’s piece, Falling Out, is a multi-media project combining movement, dance, music, puppets and a video backdrop, all of which blend together into an experience of profound, lyrical sadness and beauty that is very hard to describe in words. It is an overwhelmingly sensual piece, the life-size puppets — manipulated and sometimes cradled by the dancers — becoming lifelike in their movements and the feelings these express. The puppets, says Grindstaff, represent “the people who were lost in the disaster and the puppeteers are always trying to reconjure their memory.”
By Paul Gunter
On July 17, 2019, the United States Nuclear Regulatory Commission (NRC) held its regularly scheduled information exchange meeting with the nuclear industry’s Institute for Nuclear Power Operations (INPO) at NRC Headquarters in Rockville, Maryland.
INPO is a secretive industry task force headquartered in Atlanta, Georgia, led by the nation’s senior nuclear utility executives. Industry watchdogs often refer to INPO as “the shadow regulator” of the U.S. atomic power industry.
It is significant that NRC management chose this brief hour-long meeting in July with INPO to make a public announcement that the nation’s federal regulatory agency is proposing to dramatically cut back its “Regulatory Oversight Process” in what is being called a “transformative process.”
The NRC proposal announces staff recommendations that, if adopted by the Commissioners, hands over yet more of its oversight authority to the financially failing and aging U.S. nuclear industry. The industry cost-saving recommendations include a reduction in the scope and frequency of NRC baseline reactor safety inspections and radiation protection inspections. They also include undercutting requirements and the issuance of mandatory orders in favor of industry “self-inspections,” “self-assessments,” and “voluntary initiatives”.

NRC inspections, such as this one at the Fermi 2 nuclear plant, will become ever rarer as the agency hands oversight to the industry itself. (Photo: US NRC)